Chinese Art and Dynastic Time (2022)
The Cultural Monuments of Tibet ()
The Worlds of Classical Chinese Aesthetics (2024)
The Arts of China, 6th Edition by 
Ten Thousand Things: Module and Mass Production in Chinese Art by 
Art in China by 
China 5000 Years: Innovation and Transformation in the Arts by
Published to accompany an exhibition in New York City from February 1998, arising from collaboration between the Guggenheim Museum and China's Ministry of Culture, this is an exploration of the themes of innovation and transformation during the great eras of Chinese art, from the Neolithic period to the mid-19th century.
Asian Art by
Illuminates the rich history of Asian Art from ancient times to the present Asian Art provides students with an accessible introduction to the history of Asian Art. Students will gain an understanding of the emergence and evolution of Asian art in all its diversity. Using a range of analytical skills, readers will learn to recognize patterns of continuity and change between the arts and cultures of various regions comprising Asia. Images set within their broader cultural and religious backgrounds provides students with important contextual information to understand and decode artworks. MySearchLab is a part of the Neave / Blanchard / Sardar program. Research and writing tools, including access to academic journals, help students explore Asian Art in even greater depth. To provide students with flexibility, students can download the eText to a tablet using the free Pearson eText app. Note: This is the standalone book if you want the book/access card order the ISBN below: 020599685X / 9780205996858 History of Asian Art Plus MySearchLab with Pearson eText -- Access Card Package Package consists of: 0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card 0205837638 / 9780205837632 History of Asian Art
The Worlds of Classical Chinese Aesthetics by
"This book presents the foundations of classical Chinese aesthetic discourse--roughly from the Bronze Age to the early Middle Ages--with the following animating questions: What is art? Why do we produce it? How do we judge it? The arts that garnered the most theoretical attention during this time period were music, poetry, calligraphy, and painting, and the book considers the reasons why these four were privileged. Whereas modern artists most likely consider themselves musicians or poets or calligraphers or painters or sculptors or architects, the pre-modern authors who produced the literature that established Chinese aesthetics prided themselves on being wenren, "cultured people," conversant with all forms of art and learning. Other comparisons with Western theories and works of art are presented at due junctures. Key Features Addresses Chinese aesthetic discourse on its own terms Provides comparisons of key concepts and theories with examples from Western sources Includes more coverage of primary sources than any other English-language book on the subject Each chapter opens with a helpful summary, highlighting the chapter's key themes"--Provided by publisher.
A Companion to Chinese Art by 
A History of Art in 20th-Century China by
Lü Peng, China's foremost modern art historian, incisively analyzes developments in Chinese art from the late Qing Dynasty through to the opening years of the 21st century in this new revised edition of A History of Art in 20th-Century China , published for the first time simultaneously in French and English editions. The art that emerged over the course of a troubled century and more of Chinese history reveals a complex evolution with intrinsic connections to contemporary life. Lü Peng ably charts that evolution, not only in mainland China, Taiwan, and Hong Kong, but also in important centers such as Paris and Tokyo. This comprehensive narrative will remain for many years the reference to which those seeking knowledge of this history will inevitably turn.
Modern Chinese Artists by 
Contemporary Chinese Art by
Since the confirmation of Deng Xiaoping's policy of Opening and Reform in 1978, the People's Republic of China has undergone a liberalization of culture that has led to the production of numerous forms of avant-garde, experimental, and museum-based art. With a fast-growing international market and a thriving artistic community, contemporary Chinese art is riding a wave of prosperity, though issues of censorship still abound. Shedding light on the current art scene, Paul Gladston's Contemporary Chinese Art puts China's recent artistic output into the context of the wider cultural, economic, and political conditions that surround it. Providing a critical mapping of ideas and practices that have shaped the development of Chinese art, Gladston shows how these combine to bind it to the structure of power and state both within and outside of China. Focusing principally on art produced by artists from mainland China--including painting, film, video, photography, and performance--he also discusses art created in Taiwan, Hong Kong, Macau, and diasporic communities. Illustrated with 150 images, Contemporary Chinese Art unravels the complexities of politics, artistic practice, and culture in play in China's art scene.
Contemporary Chinese Art: Primary Documents by
Despite the liveliness and creativity of avant-garde Chinese art in the post-Mao era and its prominence in the world of international contemporary art, until now there has been no systematic introduction to this important work in any Western language. Moreover, most of the relevant primary documents have existed only in Chinese, scattered in hard-to-find publications. Contemporary Chinese Art remedies this situation by bringing together carefully selected primary texts in English translation. Arranged in chronological order, the texts guide readers through the development of avant-garde Chinese art from 1976 until 2006. Because experimental Chinese art emerged as a domestic phenomenon in the 1970s and 1980s and its subsequent development has been closely related to China's social and economical transformation, this volume focuses on art from mainland China. At the same time, it encompasses the activities of mainland artists residing overseas, since artists who emigrated in the 1980s and 1990s were often key participants in the early avant-garde movements and have continued to interact with the mainland art world. The primary documents include the manifestos of avant-garde groups, prefaces to important exhibitions, writings by representative artists, important critical and analytical essays, and even some official documents. Each chapter and section begins with a concise preface explaining the significance of the texts and providing the necessary historical background; the volume includes a timeline summarizing important art phenomena and related political events. Publication of the Museum of Modern Art
Berkshire Dictionary of Chinese Biography by 
History of Japanese Art by 
History of Art in Japan by
History of Art in Japan is a fully illustrated overview of Japanese art, written by one of Japan's most distinguished art historians. This masterful account of the country's exceptional cultural heritage sheds light on how Japan has nurtured distinctive aesthetics, prominent artists, and movements that have achieved global influence and popularity. A leading authority on Japanese art history, Tsuji Nobuo discusses works ranging from the Jōmon period to contemporary art, from earthenware figurines in 13,000 BCE to manga, anime, and modern subcultures. He explains crucial aspects of Japan's many artistic mediums and styles--including paintings, ukiyo-e, ceramics, sculpture, armor, gardens, and architecture--covering thousands of years. Drawing on newly discovered archaeological findings and the latest research, the book examines Japanese art in various contexts, including Buddhist and religious influences, aristocratic and popular aesthetics, and interactions with the world. Generously illustrated with hundreds of full-color images, maps, and figures, History of Art in Japan is an indispensable resource for all those interested in this multifaceted history, illuminating countless aspects of Japanese art for scholars and general readers alike.
A History of Japanese Art: From Prehistory to the Taisho Period by
A History of Japanese Artt offers readers a comprehensive view of Japanese art through Japanese eyes--a view that is the most revealing of all perspectives. At the same time, it provides readers with a guide to the places in Japan where the best and most representative creations of Japanese art are to be seen.
Edo: Art in Japan 1615-1868 by 
A Dictionary of Japanese Artists by 
Japanese Art: Critical and Primary Sources. 4 vols. by 
Dictionary of Korean Art and Archaeology by 
Korea: Art and Archaeology by 
Arts of Korea by 
Korean Art from 1953: Collision, Innovation, Interaction by 
Dictionary of South and Southeast Asian Art by 
Portraiture in South Asia since the Mughals by 
How to Read Buddhist Art by 
Interpreting Mughal Painting by 
Modern Art of Southeast Asia: Introductions from A to Z by
Modern Art of Southeast Asia: Introductions from A to Z features 60 concise and accessibly written accounts of the key ideas and currents underlying modern art in the region. These are accompanied by over 250 beautifully reproduced artworks from the collection of National Gallery Singapore, and other public and private collections in Southeast Asia and beyond. The book offers an informative first encounter with art as well as refreshing perspectives, and is a rewarding resource for students.
Asian Art by New on the Getty Research Institute Portal:
Nearly 1,000 free digitized Japanese art exhibition catalogues...
Munsterberg. Writing About Art. HumRef N 7467 .M867c 2009 + e-book
Biggs. The Routledge Companion to Research in the Arts. HumRef NX 280 .R68 2010 + e-book
Barnet. A Short Guide to Writing about Art. HumRef N 7476 .B37 2015
Williams. How to Write About Contemporary Art. HumRef N 7476 .W544x 2014
Asian Theatre Video Collection
The Asian Theatre video collection offers interviews with leading performers and practitioners, and houses several filmed performances, documentaries, rehearsal footage, and training videos. Several are from Japanese traditions. From Butoh to Bollywood, Bunraku to Topeng, this collection is a vital repository for students and academics interested in Asia’s rich theatrical traditions, this collection is a vital repository for students and academics interested in Asia’s rich theatrical traditions.
