Theresa Ruth Howard: About Me, from www.mybodymyimage.com
The American Dance Festival's dancing in the light: six dances by African-American choreographers
by
The American Dance Festival presents Dancing in the Light, a one-hour modern dance television program showcasing 6 historic dance compositions by African American choreographers. All of the dances were originally recorded for the Emmy Award-winning series Free to Dance, a three-hour documentary that aired on PBS in 2001 as part of the Great Performances: Dance in America series. While Free to Dance uses select excerpts from the dances to inform its narrative within a historical context, Dancing in the Light features six dances in their entirety or in the case of one work, a complete section. The dances include: Ostrich (1932) by Asadata Dafora, Barrelhouse Blues (1943) by Katherine Dunham, Strange Fruit (1943) by Pearl Primus, Mourner's Bench (1947) by Talley Beatty, Rainbow 'Round My Shoulder (1959) by Donald Mc Kayle, First Section of D-Man in the Waters (1989) by Bill T. Jones.
Bill T. Jones: Solos
by
A major figure on the contemporary choreography scene, Bill T. Jones is also a remarkable dancer and a performer with an electrifying stage presence. Here, alone in a studio and filmed from a totally cinematic point of view, he speaks to us of violence, gentleness and emotion in three short pieces: Ionization, to music by Edgar Varèse; Chaconne, from J.-S. Bach’s Partita for Solo Violin in D Minor; and Tea for Two, which uses Blossom Dearie’s version of the classic song. Bonuses on The Dancing Man include interviews with the choreographer, master classes and dance excerpts.
Beyond the steps: Alvin Ailey American Dance Theater
by
Award-winning filmmaker Phil Bertelsen offers a rare backstage look at one of America s oldest modern dance companies at a defining moment in its history--as it settles into its own permanent home and training facility in New York City. Set against the construction of the new dance center and the creation of a new dance, every bit of passion, talent, and hard work that goes into keeping a company running is on display. The troupe seamlessly weaves from rehearsal to a triumphant tour in Russia, back to their new dream-come-true digs in Manhattan. BEYOND THE STEPS intertwines the dancers individual tragedies and triumphs with breathtaking performance footage from their journey, shining a spotlight on the story of one of America s most beloved cultural institutions. Visually stunning and emotionally poignant, the film provides a rare glimpse into the fascinating world of modern dance.
Alvin Ailey American Dance Theater: four by Ailey
by
The four ballets presented on this tape show not just the Ailey company at its best, but serve as a sort of testament to Ailey himself. Two of the works ("Divining" and "The Stack-Up") are works by two choreographers among many Ailey made a "home" for; the former work is by former Ailey dancer and current Artistic Director Judith Jamison, the latter by the late Katherine Dunham protege Talley Beatty.
"Our True Identity", by Dieter F. Uchtdorf. From lds.org
Use subject heading: Dance, Political Aspects